This past December I decided to place more focus on architecture photography with an emphasis on long exposures. I have always believed landscape photography to be my strength, but inevitably … Continue reading Van Nuys (CA), Spillway Structure, Clouds, Long Exposure Monochrome
Honestly, I had higher hopes for this image. While decent, I didn’t give myself the best opportunity to capture great shots. Here was the situation I put myself in: 7 hour drive to spend the holidays with family, a 1 hour window at this location, and I was running late for dinner with my parents.
The point here is not about those excuses, but rather the fact that if are not ready to shoot physically or mentally, the work suffers. This applies to pretty much everything of life. Your output is not at its best when you’re not at your best.
EXIF data: Nikon D7000, center-weighted metering mode, ISO100, 35mm, f/11, 674 sec (11 min 14 sec), 13 stop ND
Los Angeles (CA), Stainless Steel Panels, Long Exposure Monochrome. Walt Disney Concert Hall, Los Angeles, CA. December 25, 2017. © Copyright Steven Tze – all rights reserved.
Another leaf in stream photograph from the Getty Museum. This leaf seems to defy physics by resisting the force of the water.
The circular polarizer helped in reducing the reflection from the surface of the water and allowing the leaf to be more visible.
EXIF data: Nikon D7000, center weighted avg metering mode, 55mm, ISO 400, 1/20 sec, f/5.6
Leaf, Water, Pattern. Getty Museum, Los Angeles, California. September 04, 2010. © Copyright Steven Tze – all rights reserved.
If only I had used a high ISO and thus a faster shutter speed! Then the lady on the right probably wouldn’t have been blurry.
I still like the composition here with two lookout locations, both with museum patron staring off into the Los Angeles late afternoon. This is another of those photographs that I stumbled upon while walking around the Getty. Now that I know it’s there, I will try this composition again and try a variety of techniques under various conditions. Whether it’s when more natural light is available or waiting until it’s darker, or even intentionally going with an even slower shutter speed and making sure the patrons are even more blurry or ghost-like.
EXIF data: Nikon D7000, center weighted avg metering mode, 70mm, ISO 200, 0.6 sec, f/8
Travertine Lookouts, Patrons. Getty Museum, Los Angeles, California. September 03, 2011. © Copyright Steven Tze– all rights reserved.
It’s not the endless summer poster, it’s not even close, but this was the shot that was available to me yesterday while taking my dog out to the Huntington Beach Dog Park. If I had turned to the left, I would have the well-known pier as the backdrop, but the composition would be even more stereotypical. Oil derricks are seen starting north from this point at Huntington Beach and all the way up to Santa Barbara. There are 3 in Long Beach that are well disguised as islands.
This photograph was impromptu. I was letting my dog rest after we had walked up and down the beach. We were enjoying the view in front when the surfers started coming out of the water. I hurriedly pulled my camera out, adjusted for correct exposure, and snapped a few frames.
Yes, it’s the end of December here in Southern California, I was in shorts, the temperature was in the 70s, dogs were playing in the water, and surfers were enjoying another perfect afternoon.
EXIF data: Nikon D7000, center weighted avg metering mode, 55mm, ISO 200, 1/1600 sec, f/11
Surfers, Beach, Derricks. Huntington Beach, California. December 27, 2011. © Copyright Steven Tze – all rights reserved.
While it takes experience to be able to put together a composition for a photograph where a non-photog might not find one, it is a whole other scenario when the location just keeps throwing shot after shot for you to take. This is exactly the scenario at the Getty Museum near Westwood and the UCLA Campus.
I am a huge fan of lines and patterns in photography even though I mostly shoot landscapes and nature, where they do occur but just not as frequently as in buildings and architecture. It also reminds me of my need to head into San Francisco and shoot buildings and architecture for a day and night.
Anyhow, this was early on in my visit to the Getty and I was looking to shoot anything that caught my fancy. At first glance, I had noticed this hallway but had also noticed the patrons sitting on the bench at the end of the hallway. They were engaged in a conversation and didn’t seem like they were about to leave anytime soon. Not wanting to waste time waiting and deciding it might be a slightly better photograph with people in it, I snapped an exposure and moved on.
Upon arriving home and processing, I’ve come to like this photograph more and more. It gives the feeling of seeing something we are not supposed to. The fact that we can barely make out the people down the hallway makes it feel as though we are eavesdropping or spying on them. This is definitely a photograph that is better for having people in it.
EXIF data: Nikon D7000, center weighted avg metering mode, 34mm, ISO 125, 1/20 sec, f/11
Hallway, Light, Peek. Getty Museum, Los Angeles, California. September 03, 2011. © Copyright Steven Tze– all rights reserved.
Since I’m down in Southern California for the holidays (while I’m on holiday), I’ve gone through and picked out a few more photographs from my last trip down here in September. The was from the interior of one of the buildings in the Getty Center. Night had already fallen so natural exterior light was no longer a source. The interior lights were relatively bright but certainly not industrial or clinical in nature.
What I wanted to capture was the motion of people going up and down the stairs, which isn’t too difficult as long as the shutter speed isn’t too fast. Conversely, I was handholding this camera and wasn’t afforded the use of a tripod (rules of the Getty that I read up on and knew in advance). So using the guideline of shooting faster than the inverse of your focal length (to get relatively sharp exposures), I pumped my ISO from the standard 100 on my D7000 to ISO 200, otherwise I’d need to bring the shutter speed down to 1/15 second. At 1/15, that’s slightly under the guideline and I might have still taken a good shot with even more blurring or the people on the stairs, but I was in a snap and go mood at the time.
EXIF data: Nikon D7000, center weighted avg metering mode, 18mm, ISO 200, 1/3 sec, f/3.5
Staircase, Lines, Blur. Getty Museum, Los Angeles, California. September 04, 2010. © Copyright Steven Tze – all rights reserved.